Every producer wants their masters louder. But most are doing it wrong — and it's killing their mixes.
You put a limiter on your master bus while mixing, and suddenly everything sounds "finished." But you're not mixing — you're hearing the limiter's interpretation of your mix. Fix: Mix without a limiter.
-14 LUFS is a delivery target, not a mixing target. Fix: Mix to -18 to -20 LUFS. Master to your genre's target.
Inter-sample peaks can be 1-3 dB higher than sample peaks. Fix: Always check true peak (dBTP).
If you put compression on your master bus, the mastering engineer can't undo it. Fix: Use gentle settings: 2:1 ratio, 2-3 dB GR, 30 ms attack, 100 ms release.
Cutting 2-3 dB at 300 Hz can make your track louder and clearer than boosting any frequency.
Phase issues cause elements to disappear in mono. Fix: Sum to mono and check.
| Platform | Target LUFS |
|---|---|
| Spotify | -14 |
| YouTube | -14 |
| Apple Music | -16 |
| SoundCloud | None |
| Club/Show | -6 to -8 |
Master to -9 to -10 LUFS for streaming. Create a separate version for clubs.
I built MixDiagnose to make this easy. Upload your track and in 30 seconds you get integrated LUFS, true peak, crest factor, frequency balance, and specific fix recommendations.
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